Morsure

2018

Paloma

2019

The red line

2018

19.69 x 15.75 x 0.1

"the red line" is from a series of portraits inspired by press articles relating to attacks against LGBT people. I paint the victims portraits in a way that allows to preserve their identity while showing the traces of their attacks. . The acts have often resulted in brutal attacks leaving the victims scarred and beaten. Those portraits flirts with the gruesome imagery and the representations of martyrs mixing tightly rendered realism with bold colors and gestural lines in an attempt to give more visibility to those incidents and in order to raise public awareness.

T-Rex

2019

15.95 x 1.05 x 0.1

"T-Rex" is part of he T series, a series of paintings which allows me to describe the “man” in a way which I think isn’t present enough yet the history of painting. These are male nudes, not depicting a conquering man, idol, god, or an erotic man. I strive to create the imagery of a man without a shell, plagued by doubt and bewilderment. A sensitive, fragile man whom we observe facing himself in the scenes of his intimacy. The nudity here is not used to glorify or to desire but to show with bare honesty.

T-under the rain

2019

15.95 x 12.5 x 0.1

"T-under the rain" is part of the T series, a series of paintings which allows me to describe the “man” in a way which I think isn’t present enough yet the history of painting. These are male nudes, not depicting a conquering man, idol, god, or an erotic man. I strive to create the imagery of a man without a shell, plagued by doubt and bewilderment. A sensitive, fragile man whom we observe facing himself in the scenes of his intimacy. The nudity here is not used to glorify or to desire but to show with bare honesty. "T-under the rain" has been shown at the Hashimoto Contemporary gallery , San Francisco, as part of the show "LATELY" in 2020.

From Dad, with love

11.82 x 9.45 x 0.1

"From Dad, with love" is fFrom a series of portraits inspired by press articles relating to attacks against LGBT people. I paint the victims portraits in a way that allows to preserve their identity while showing the traces of their attacks. . The acts have often resulted in brutal attacks leaving the victims scarred and beaten. Those portraits flirts with the gruesome imagery and the representations of martyrs mixing tightly rendered realism with bold colors and gestural lines in an attempt to give more visibility to those incidents and in order to raise public awareness. "From Dad, with love " has been shown at the Hashimoto Contemporary gallery , San Francisco, as part of the show "LATELY" in 2020.

I thought you liked me

18.31 x 14.97 x 0.0

"I thought you liked me " is from a series of portraits inspired by press articles relating to attacks against LGBT people. I paint the victims portraits in a way that allows to preserve their identity while showing the traces of their attacks. . The acts have often resulted in brutal attacks leaving the victims scarred and beaten. Those portraits flirts with the gruesome imagery and the representations of martyrs mixing tightly rendered realism with bold colors and gestural lines in an attempt to give more visibility to those incidents and in order to raise public awareness. "I thought you liked me" has been shown at the Hashimoto Contemporary gallery , San Francisco, as part of the show "LATELY" in 2020.

Q-T

8.25 x 10.25 x 0.1

"Q-T" is part of the "T series", a series of paintings which allows me to describe the “man” in a way which I think isn’t present enough yet the history of painting. These are male nudes, not depicting a conquering man, idol, god, or an erotic man. I strive to create the imagery of a man without a shell, plagued by doubt and bewilderment. A sensitive, fragile man whom we observe facing himself in the scenes of his intimacy. The nudity here is not used to glorify or to desire but to show with bare honesty. "Q-t" has been shown by the Spoke Art Gallery as part "Moleskine IX" on the occasion of Pow!Wow! 2020, Honolulu.

Boy Story

2019

Part of the experimental process

untitled scketch

2019

Is a research sketck for a series of portraits inspired by press articles relating to attacks against LGBT people. I paint the victims portraits in a way that allows to preserve their identity while showing the traces of their attacks. . The acts have often resulted in brutal attacks leaving the victims scarred and beaten. Those portraits flirts with the gruesome imagery and the representations of martyrs mixing tightly rendered realism with bold colors and gestural lines in an attempt to give more visibility to those incidents and in order to raise public awareness.

Collie

2019

39.0 x 39.0 x 0.1

"Collie" is from a series of portraits inspired by press articles relating to attacks against LGBT people. I paint the victims portraits in a way that allows to preserve their identity while showing the traces of their attacks. . The acts have often resulted in brutal attacks leaving the victims scarred and beaten. Those portraits flirts with the gruesome imagery and the representations of martyrs mixing tightly rendered realism with bold colors and gestural lines in an attempt to give more visibility to those incidents and in order to raise public awareness.